Web Page 8: Education

Education and schooling have and continue to serve as an integral part of my life (going on 13 years now with, I hope, many more). Every day since I turned 3-years-old, I’ve spent some 6 hours a day, 5 days a week in school. That adds up to a lot of time in school. And I often, lately, ask myself: what has all this time consumed in schooling done for me? And I always, even lately, answer my question thus: education affords me the reliance to think for myself as an individual.  Education allows me to use the knowledge I learn in school to help me unravel the unanswered questions of my world—to discover and explore it. Schooling pushes me to engage, question, answer and argue things logically and rationally; sometimes I’m pushed far enough to engage, question, argue and think outside of the box (and when I nudge beyond the cliché, I think outside of the circle). Education and schooling provides an experience for me that allows me to sift through many different subjects and topics, helping to form and determine my many likes and dislikes. But clearly, education and schooling helps me in a very real and practical way: to set goals for myself. Without goals, I’ve found, I can get easily lost, distracted, off-track, less motivated and generally directionless. Education and schooling shows me why a boat needs a rudder.

            Defining education as “the gradual process of acquiring knowledge,” I know and understand that my education and schooling won’t end when I graduate  high school and college (not to mention post-doctoral and the fellowships—did I mention goals?) Education is not a thing to be terminated like a contract or even a relationship. We must grow and learn (and re-align our goals as we do) everyday of our lives. The day we don’t is most certainly our last one.

Web Page 7: James Baldwin

In James Baldwin’s 1963 essay A Talk to Teachers, he focuses mainly on the negative impact of society on students.  One important quote Baldwin uses in his essay is, “The paradox of education is precisely this - that as one begins to become conscious one begins to examine the society in which he is being educated.” Education allows an individual to question the society one is learning in.  The tension however comes in when much of society seeks to suppress this questioning, as someone consistently questions and disobeys is seen as dangerous to the societal order of things. But Baldwin states that society’s only hope for change is through those individuals who question.  If no one questions anything around them, everything remains the same, no change occurs.  Change is necessary to move forward in the world and in society, hopefully in a positive direction. What if Rosa Parks didn’t refuse to move from the front of the bus to the back of the bus (and go against society), racism against blacks in this country could have been more prominent and prolonged. Even though it was only person, one person can make a difference in this world. Education’s main goal should be to create the ability in a person to look at the world for himself, to make his own decisions, “to decide for oneself whether there is a God in heaven or not,” and make conclusions from what ONE sees, experiences, and thinks. To “ask questions of the universe,” and then learn to live with those questions, is the way one achieves their own identity. If you don’t develop your own decisions and opinions on things you lose who you are.

Baldwin also makes some sort of mention of children and how when they are born they are born with a “neutral” mind if you will.  They can’t tell the difference between a black person and a white person, all they can sense is the fact that these people are different from one another. Little children are innocent until people like parents, teachers, and guardians drill the racism into their head. There really isn’t a solution to getting rid of racism and prejudices, its part of human nature it will always be there. Perhaps a solution would be for racist people not necessarily to absolutely love someone of another color, but understand and accept them for who they are as people. We all are living in this world together, might as well get along.

           

Web Page 6: Francis Bacon

In Francis Bacon’s work, Novum Organum or “New Organon,” Bacon describes a new method of logic he believes to be superior to Aristotelian syllogism. In, Novum Organum Bacon suggests that finding the essence of a thing was a simple process of reduction, through the use of inductive reasoning attempts understanding through drawing generalized conclusions from a finite collection of specific observations.

Bacon’s 1620 seminal work may be characterized by the popular phrase: “You can’t see the forests for the trees.” For Bacon, one must first understand trees before one can understand a forest; that one must first examine each and every tree, understand each type of tree before discussion of a forest, an aggregate of trees. By way of analogy, if one is studying the French Revolution, one can memorize every single date, river, battle, general, strategy but, ultimately, should one be asked write an essay in answer to “What was French Revolution about?”one would have to consider, in a manner of Bacon, many more variables and instances such as weather, climate, religion, economics that would induce something to be said, generally, about revolutions first, then induce upward, more generally, about a French version of revolution. That is, before Bacon got to Revolution or even French Revolution, the forest, he would have us look at each tree, at each contributing factor or circumstance of “unease” or “unrest” or “disturbance” of a people, then a larger group, then a nation. Bacon would seek to understand revolution first by noting its individual characteristics, size them up and, finally, add them up. Specific to general.

Aristotle, conversely, might look at revolution first, and subtract, attempt to differentiate its constituent parts, to deduce from “revolution” what makes revolution. Aristotle, looking at the forest of “revolution” might suggest that the trees of “unease,” “unrest” and “disturbance” in weather, climate, religion and economics can be sifted, shaken, subtracted, isolated, or deduced. Given a forest, look to the contributed trees to best understand the phenomena. For Bacon, one must look at trees, and add them up, to eventually call such a collection a “forest.”

The approach to understanding found between Aristotle and Bacon may cause some tension. One subtracts (deduces), the other adds (induces). But the real tension stems from Bacon’s break from the old ways of thinking, of the old ways of approaching thinking and science. Not just breaking from Aristotle but from Bacon’s break from the more recent “rebirth” or Renaissance. Bacon thus breaks twice: from Aristotle and the re-kindled interest in Aristotle.

And thus Bacon’s place in the English Renaissance itself. Bacon calls it, after all, the “New” Organon.   

 

           

 

Web Page 5: The Motivation of Learning

Reading Prose’s I know Why the Caged Bird Cannot Read and St. Augustine’s The Motivation of Learning comes to me, upon distillation and reflection, as quite a privilege.  Privilege because I can, in the year 2010, reflect upon the chasm that exists between the two writers.  In essence, St. Augustine writes in a time without writers and readers, a time in which 95% of the world’s population “suffers” from illiteracy.  In effect, St. Augustine preaches to a choir. Only a few could read his words at the time, and those who could read and write were an elite few.  Prose’s audience reflects the exact opposite:  her audience, world, time and place, perhaps reflects an 80% literacy rate. Prose speaks to me, a 16 year old, as we meet in an anthology of writing, reading and opinion.  Prose writes to a competitive audience, spraying an opinion about learning that she hopes will stick somewhere.

St. Augustine writes as one crying in a wilderness, a vocal prayer, in the hope that someone might hear, someone might understand, that someone might read. St. Augustine writes of the meaning of language, communication, of sounds and speech. It’s a formative approach, rudimentary and, ultimately, faith based. In comparison, Prose message comes across as a commodity, buy this for this reason.

Privilege, then, to read a reasoned sermon and plea from St. Augustine to uplift the soul through our minds and language; Prose might as well hawk her thoughts and wares on the Atlantic City boardwalk, lots of listeners and buyers, just passing through to the next stall, the next opinion or next argument.

St. Augustine has no spin, just a sermon from the trenches, to enlighten anyone with ears to hear.

Web Page 4: Rhetorical Devices in Wife of Bath

In The Wife of Bath's Tale, Chaucer uses many rhetorical devices, or techniques that authors or speakers use to convey to the listener or reader a meaning with the goal of persuading him or her towards considering a topic from a different perspective. The topic that Chaucer was trying to convince his audiences to having a new perspective on was the matter of women and their rights in society.  The traditional view of women was that they were domesticated people who shouldn’t have rights, much of a say in anything, or an education. Their purpose was to get married young, have a lot of children, and stay home to take care of their children and the household, while their husbands were at work. Chaucer uses many rhetorical devices some of them being similes, allusions, and alliteration.

Alliteration refers to a repetition of a particular sound in the first syllables of a series of words and/or phrases. Examples of this in the text are: “fair fame” and “liege lady.” Using alliteration in one’s work will give it a rhythm, a lyrical edge; a nudge in the direction of music, and it will call attention to specific sections in the work. Rhythm is used throughout Chaucer’s work. Another rhetorical device used is allusion. Allusions are a figure of speech that makes a reference to, or representation of, a place, event, literary work, or myth. In this case, an allusion is made to King Arthur, “now in the olden days of King Arthur, Of whom the Britons speak with great honor.” (30) King Arthur was a legendary British leader of the late fifth and early sixth centuries. Allusions help the audience relate and understand something better because it’s something that most of the audience would be familiar with, so it’s easier for Chaucer to get his idea across. An allusion to Ovid’s tale of Midas is also made. “Ovid, among some other matters small, Said Midas had beneath his long curled hair, Two ass's ears that grew in secret there. ’’

 Another rhetorical device Chaucer uses is a simile. A simile is a figure of speech that indirectly compares two different things by employing the words "like", "as", or "than". A simile used in the Tale is, “Here was but heaviness and grievous sorrow; For privately he wedded on the morrow, And all day, then, he hid him like an owl; So sad he was, his old wife looked so foul.’’( 226-227) This simile compares the Knight to an owl. The Knight basically hid from his wife to be all day. As does an owl hide all day, for they are nocturnal and only come out at night.

Web Page 3: A Description of a Character in Beowulf

When one first reads of Grendel in the poem Beowulf, he is described as “being spawned in slime, conceived by a pair of those monsters born of Cain, murderous creatures banished by God, punished forever for the crime of Abel’s death.” (18-23) By lineage, Grendel is a member of “Cain’s clan, whom the creator had outlawed / and condemned as outcasts.” (106–107). Grendel was banished from the city, the banquet hall (Herot) and all of human society. Therefore, Grendel lurked in the dark and mysterious place of what was known as the swamplands, totally secluded from society. Grendel was now an outsider who just hungered and longed, not for eating human beings, but rejoining and reconnecting with society.

Despite Grendel’s many animal attributes with a grotesque, monstrous appearance, he seems to possess the inclinations and emotions of a human being: the feelings of jealously, anger, and vengeance. Grendel demonstrates more of what a human feels inside, not necessarily a monster, which might come as a surprise. Heritage and ancestors provide models for behavior and often help establish one’s identity, but if your ancestor was a “murderous creature banished by God,” (19) it’s hard to break yourself from being identified as being like that also. Grendel may or may not have the same values as demonstrated by Beowulf such as loyalty, bravery, and pride, or even any values in general. However, Grendel has never been given the opportunity to prove himself, and be seen in a somewhat positive light of not being such a hideous and bloodthirsty monster. One can sense that Grendel’s deep bitterness about being excluded from the celebration at the Herot can be attributed, in part, to his ill-fated status.

“So Hrothgar’s men lived happy in his hall, Till the monster stirred, that demon, that fiend” (15-16). Hrothgar’s men awoke “the monster” out from all of their celebrating and carrying on. Grendel didn’t bother them until they started carrying on. Perhaps Grendel had hit his breaking point, a point at which he could no longer contain his rage and fury, much like how humans feel when they have reached their breaking point, when they get tired and bothered by something. Perhaps Grendel had reached the point, as we humans often do, of losing sight of his “values.” Grendel was irritated and bothered by society’s ostracism of him simply because of something he was “supposed” to be, but might not be.

Web Page 2: A Description of a Character in Chaucer

The Knight is the first pilgrim whom Chaucer describes in the General Prologue. Chaucer characterizes the Knight as representing the ultimate medieval Christian man of arms. In saying, “He was a true, a perfect gentle-knight,” it is understood that the narrator greatly admires him. Chaucer further describes the Knight as having, “truth, honor, generousness, and courtesy.” The narrator then reveals the Knight’s military career, which includes a discussion of his fighting in the Crusades, wars in which Europeans traveled by sea to non-Christian lands and attempted to convert whole cultures by the force of their swords. Another character quality the narrator tells us about the Knight is his meek and gentle manner, writing, “He [the knight] was wise and his bearing modest as a maid. He never yet a boorish thing had said in all his life to any.” Chaucer comments on the Knight’s physical appearance, of his nice horses, but suggests “he was not gaily dressed.” The Knight, we are told, “wears a tunic made of coarse cloth, and his coat of mail is rust-stained,” as he has recently returned from a voyage.

The narrator’s description of the Knight depicts admiration of a Knight that is meek, not head-strong. The Knight is not shown to be a show-off or act conceited. He doesn’t wear flashy, shiny armor; he wears commoner clothing or a “fustian tunic.” One might expect a Knight to be uptight in demeanor and posture, foraging for the next fight, a uniform in tip-top, Marine-like shape, his armor shining and polished to the hilt. But this Knight does not and did not; physically he appeared and acted as if and just like anyone else not a knight; he doesn’t appear to aspire to be more or better than everyone else. For these reasons, I think the narrator looked-up to the Knight, not for what he could be or for what others think he should be but for whom he was: an ordinary person who did extra-ordinary things, but never boasted about what he did.

Admiration for whom you are not for what you are supposed to be.

            

Web Page 1: The Relationship between Meaning and Language

Meaning is the message that is trying to be conveyed to the reader, it’s a form of expression. Linguistic language helps a speaker to communicate and voice their opinions to the reader.  But understanding a speaker is not just a matter of understanding their linguistic language. Linguistic language can never fully capture the intent, passion, and nature of one’s thoughts, perhaps there isn’t the right word (s) to express their true intent or passion. That’s when you look at the meaning behind the words one uses, look at the accompanying information that the speaker intends a reader to rely on. A reader must understand and take a closer look at the context of the message not just the word (s) in order to truly understand the intention or meaning.

In the essay Mother Tongue, Tan writes, “Her [ Tan’s mother’s] language, as I hear it, is vivid, direct, full of observation and imagery. That was the language that helped shape the way I saw things, expressed things, made sense of the world.” Even though Tan’s mother spoke “ broken” or “fractured” English and her mother’s English wasn’t of the highest standard, it doesn’t mean that her mother didn’t have any meaning behind the words that she spoke.

Linguistic language is important, but if it just consists of words strung together, it is pointless. For instance as Tan describes, “ Here’s an example from the first draft of a story that later made its way into The Joy Luck Club, but without this line: That was my mental quandary in its nascent state. A terrible line, which I can barely pronounce.” The line is terrible because even to Tan these words are colorful and highly lavish, but they don’t express how she really feels and  they have no meaning behind them, so why would they have any meaning to the reader?